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The Atlantic Editor-In-Chief Jeffrey Goldberg warns newsroom decay is how 'democracy decomposes'

"We're sleepwalking into an absolute disaster," Goldberg said.

The Atlantic Editor-In-Chief Jeffrey Goldberg. (Photo by Paul Morigi/Getty Images for The Atlantic)

In an industry beset by challenges, The Atlantic is a rare bright spot.

The 167-year-old magazine announced this week that it will expand, bucking the trend among fellow legacy newsrooms. The Laurene Powell Jobs-owned and Jeffrey Goldberg-led publication said it will increase its print magazine to 12 issues, returning to a monthly cadence for the first time since 2002.

The increase comes after The Atlantic announced earlier this year it had surpassed 1 million subscriptions and returned to profitability.

We caught up with Goldberg this week and discussed The Atlantic’s success, its partnership with OpenAI, the 2024 election, and more. Below is the Q&A, lightly edited for clarity.

Why do you think you have been successful in this difficult climate?

We work very hard to produce only highest-quality journalism. Sometimes, we don't hit the mark, but not for lack of trying. Our operating theory is so simple. The only way to get people to pay for your product is to make a great product, something they can't find elsewhere. To do this, we have to have the best journalists. Readers become our subscribers when they realize that they will find illuminating and delightful stories, written by journalists at the very top of their game, on a regular basis.

How worried are you about the decline we are seeing transpire in many legacy newsrooms? And what effect will that have on society?

It's awful. To look at cities that used to be served by newsrooms of 300, or 500 journalists, now reduced to virtually nothing, is terrible. This is the way democracy decomposes. We're sleepwalking into an absolute disaster. Jefferson had it right almost 250 years ago when he said he'd rather have newspapers without a government than a government without newspapers.

The Atlantic announced earlier this year a partnership with OpenAI. Some of your journalists have been critical of the magazine's decision to get into bed with the Sam Altman-led company. What do you make of the deal?

Nobody's getting into bed with Sam Altman. All you have to do is read our coverage of OpenAI to see that. Obviously our editorial team has full independence to cover issues and companies the way we want to. I've told our staff from the beginning that The Atlantic is a magazine about humans, made by humans, and for humans. I don't need the ghost of Ralph Waldo Emerson harassing me.

On the actual deal you're referring to: Our business side believed that participating with AI search in its early stages — therefore, with any luck, shaping it in a way that values and protects our work — could be an important way to help build our audience. I don't know how it's going to turn out, but I'm somewhat hopeful. The thing that worries me is the end of search as we know it, and I want to make sure our work continues to be found. I also believe that it's worth figuring out ways in which A.I. can extend the reach of human-made work. The jury's out on this, but I pay a lot of attention to the potential here, as well as the dangers.

Should streaming platforms like Netflix and Amazon invest in news programming? These companies seem to be recreating the cable bundle, sans the news.

Among the many things I don't understand is the television news business. But, of course, it's my interest as a journalist and a citizen to see corporations of such huge reach invest in serious journalism. This seems like a civic duty to me, not that many of these companies currently think in those terms.

In addition to announcing an expansion this week, The Atlantic also endorsed Kamala Harris. It's only the fifth endorsement in the magazine's 167-year history. Tell us why you opted to jump into the 2024 waters.

The Atlantic's founders (including the aformentioned Emerson) believed that their magazine should be "of no party or clique." We try to keep to that, and we try hard to be a platform for various political viewpoints. But Trumpism isn't conservatism; it's authoritarian populism, and I'm sure that the founders of The Atlantic weren't fond of anti-democratic demagogues. We didn't endorse Harris because she's a member of a particular party or for her policy ideas or ideological proclivities; we endorsed her because she respects democracy, and, unlike Trump, she didn't lead an anti-constitutional insurrection. There are two major candidates in the race; one tried to overthrow the government, the other didn't. Pretty easy to me.

Why haven't more news organizations taken such a stance? It seems odd that most don't seem capable of stating that authoritarianism isn't great.

Old habits, I guess. We're in a new reality and new realities are hard to recognize. I imagine, though, that market considerations play a role: Trump's 70 million-plus voters are also consumers. I don't want to be too cynical about this, though, and I would say that many journalism organizations have indeed recognized that Trump does not operate within the previously settled norms of American political behavior.

Who do you believe will win in November?

You're asking me to predict the outcome of the closest race in modern history? I'm not walking into this one. Anything is possible. One thing seems probable, though: If Harris wins, Trump won't accept the results, and then we're off to the races. We have to be ready for this moment.

Is there anything else on your mind these days?

What's on my mind is that the press is under assault because reality itself is under assault. I would point people to Charlie Warzel's most recent piece, which details the way in which dangerous unreality has even infiltrated discussion of the weather. I worry that if the platforms don't do anything to stop the proliferation of conspiracy theories and hatred, there's very little that we in the so-called mainstream press can do to introduce more reality into society.

Weekend Rundown

The banner headlines on the Drudge Report Sunday. (Screen grab)

  • A CBS News poll arrived at a disturbing conclusion, which underscores how corrosive the lies peddled by Donald Trump and MAGA Media are: "The 2024 presidential contest ... is more than just two ideologies competing over what should happen. It's two groups of voters that look out at the country and don't even agree on what's happening right now." [CBS News]

    • Matt Drudge put it well: “ONE ELECTION, TWO WORLDS.”

  • An important story: Kate Conger, Tiffany Hsu, and Aaron Krolik took a look at all the previously banned X accounts that Elon Musk welcomed back to the platform: "Most hold right-wing or even far-right views" and "have spread false claims and narratives about immigration, race, natural disasters and stolen elections." [NYT]

    • A related story from Renée DiResta: "Rumors on X are becoming the right's new reality." [The Atlantic]

    • This says a lot about both companies: After naming Unilever in its lawsuit against advertisers for boycotting the platform, X dropped its claims against the company after striking a new deal. [The Verge]

  • Dennis Quaid appeared at a rally for Donald Trump, asking the crowd, "Are we going to be a nation that stands for the Constitution or for TikTok?" Of course, it's worth noting that Trump is pro-TikTok while the Biden administration has taken an anti-TikTok stance. [The Wrap]

  • After NPR reported that TikTok privately affirms some child safety concerns with its app, Sens. Richard Blumenthal and Marsha Blackburn wrote Shou Zi Chew demanding answers about the "shocking revelations." [NPR]

  • The NYT Executive Editor Joe Kahn participated in a wide-ranging interview with Steve Inskeep. [NPR]

    • On his goal for 2024 coverage: "It's not about implying that both sides have absolutely equal policies on all the issues. It's about providing well-rounded coverage of each of the two political parties and their leading candidates that scrutinize them in a 360 [degree] way."

    • On criticism from the left: "There's a desire to see one of the leading, journalistic institutions in American life be a full-throated supporter of the view that many on the left have, which is that Donald Trump is an existential threat to our society, and that all of The New York Times coverage should be uniform in emphasizing that point day in and day out … We don't see that as our proper role.”

    • On whether anyone was disciplined after its leak probe related to Israel-Hamas coverage: "We didn't talk about the specific steps that we took afterward. But I do think we had a shared understanding that that kind of thing can't and shouldn't happen again."

  • Meanwhile, former NYT Opinion boss James Bennet spoke to Ben Smith and Nayeema Raza about media coverage of the Israel-Hamas war. [Semafor]

  • Charlie Gasparino reported on how Larry Ellison is "one of the most pro-Israel executives in corporate America." A source signaled to Gasparino what the incoming Skydance-Redbird management team intends to do with CBS News: "They’re thinking about blowing the place up." [New York Post]

  • Jason Bailey to the Cesar Conde-led NBCU News Group: "The decision to hold off on airing Errol Morris’ film until a month after Election Day is a disservice to voters." [Bloomberg]

  • Ariana Grande hosted "Saturday Night Live," imitating Britney Spears, Celine Dion, and more. [Variety]

    • The cold open featured Trump and Kamala Harris competing in "Family Feud." [The Hill]

    • The show also parodied CNN's Kaitlan Collins. [AL.com]

  • Jeremy Strong told Jonathan Dean he found it "profoundly disturbing" his new film, "The Apprentice," struggled to find U.S. distribution: "A dark harbinger of things to come." [The Times]

  • HellGate, a subscription-baed local outlet covering New York City, released its 2024 annual report. The company said it boasts 5,300 paying subscribers, with monthly recurring revenue doubling from last year to $42,000. [HellGate]

  • The Daily Mail added Kellyanne Conway and Michael Wolff as columnists. [Semafor]

Box Office Report

A scene from "Joker: Folie à Deux." (Courtesy of Warner Bros. Pictures)

  • Not a joke: "Joker: Folie à Deux" nosedived, coming in third at the box office with only $7 million in receipts. That figure represents an 81% drop from last weekend, a record fall for a DC character move. [Deadline]

    • Context: The $7 million figure means the Todd Phillips-directed sequel again performed under analyst expectations, which had the film’s second weekend pegged at $10 million to $15 million.

  • "Terrified 3" scared audiences into handing over $18 million, taking the top spot at the box office. [Variety]

  • "The Wild Robot" continued warming the hearts of audiences, placing second with $13.5 million. [The Wrap]

    • No surprise here: "The Wild Robot" will get a sequel. [Deadline]

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