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- Jason Kilar reflects on his time at WarnerMedia, defends CNN+, and reveals what he's working on
Jason Kilar reflects on his time at WarnerMedia, defends CNN+, and reveals what he's working on
The former WarnerMedia chief also praised Taylor Swift, predicted Netflix will break a major milestone, and talked about running a media empire during the pandemic.
Former WarnerMedia boss Jason Kilar. (Photo by Dia Dipasupil/Getty Images)
It’s been a little more than two years since Jason Kilar led the company once called WarnerMedia.
Since then, he’s maintained a fairly low profile, evading the headlines as the new Warner Bros. Discovery team, led by David Zaslav, steers the company he once headed.
We caught up with Kilar this week for a wide-ranging conversation about what he’s working on now, whether he has any regrets from his time at WarnerMedia, his thoughts on WBD shuttering CNN+, how he thinks the media landscape will look like in the future, and more. Below is the Q&A, lightly edited for readability.
OLIVER: What have you been up to since the Warner-Discovery deal?
JASON: A number of the early Hulu founding team members and myself are working on a project focused on social video and communities. Additionally, I am serving on the boards of directors at Roblox and Wealthfront.
OLIVER: What don’t observers fully understand about running a massive media company amid the rapidly shifting landscape?
JASON: The importance of creating an environment for creative people to do their life’s best work while at the same time providing a clearly articulated vision — and lots of context — for how a great team will successfully navigate a rapidly changing world. I believe that doing each of those things well requires far more empathy, humility and authenticity than most casual observers might realize.
OLIVER: Which high-profile media executive most impresses you right now?
JASON: Taylor Swift.
OLIVER: Any regrets from your time at WarnerMedia? If you could have a do-over, would you still execute Project Popcorn?
JASON: Thank you for asking, as now there’s the benefit of the passage of time and reflection. On the one hand, I continue to be very grateful for — and take pride in — what we as a team were able to do at Warner across the storytelling and the business. “House of the Dragon,” “Mare of Easttown,” “Ted Lasso,” “Hacks,” “The White Lotus,” “The Batman,” “Dune,” “Wonka,” “Hogwarts Legacy,” record-setting company revenues and an ascendent HBO Max across 61 global markets. Our team also put “Barbie” and “The Last of Us” into production. All of this while in a global pandemic. So the major feeling that persists for me is that of gratitude to Warner’s creative partners, gratitude to the Warner team and gratitude for the opportunity to lead.
Regarding Project Popcorn, there’s so much to dive into there…from the good things that we were able to do in theaters and in living rooms for audiences in the middle of the pandemic to things I certainly could have done differently. I think it best to dive into that one in a podcast setting, as the subject matter deserves it.
OLIVER: What would you recommend Warner Bros. Discovery do differently to succeed in this climate?
JASON: Out of respect to the Discovery executives, I’m going to decline to answer this one.
OLIVER: Before you exited, you spent a lot of time and resources launching CNN+, which WBD immediately shuttered. Do you think they now view that as a mistake? And what one piece of advice would you give to Mark Thompson as he tries to push CNN into the digital future?
JASON: For context, our investment in a paid digital CNN experience back in 2022 was an investment in the future of CNN. It was about serving audiences in ways they increasingly prefer, with a healthy and scalable business model. I felt strongly that CNN and the CNN team deserved that investment and that it was a wise investment. And as so many people steeped in digital know, these things take time, thoughtfulness and conviction. It took Netflix four years to get to 1 million paid subscribers. I do think it is a missed opportunity to have over 2 years go by without material investment or progress on that level.
That said, I don’t think Mark Thompson needs any advice whatsoever, as I believe he fully appreciates the situation and in his career he has successfully navigated such waters. I’m rooting for Mark and the CNN team to achieve great things both journalistically and digitally.
OLIVER: Let me ask you to do the impossible and make a prediction for the future. What do you think the media landscape will look like in five years time?
JASON: The quality of storytelling will continue to improve from its already extremely high levels. Audiences will continue to fragment, and as that happens the hits will matter more. The hits will be bigger. Netflix will earn more cash flow in a year than any Hollywood company has in history. Short form media + interactive will earn more consumer time, unfortunately at the expense of long form media. The companies which earn meaningful engagement from audiences will thrive and those that don’t will struggle. Scale will matter more than ever.
Weekend Rundown
CNN in breaking news mode. (Screen grab via Snapstream)
News outlets on Sunday afternoon — yet again — jumped into wall-to-wall coverage after a second attempted assassination attempt of Donald Trump at Trump International Golf Club in Florida. Trump is safe following the incident and police have arrested a suspect.
Earlier in the day, Trump lashed out at Taylor Swift, following her endorsement of Kamala Harris: “I HATE TAYLOR SWIFT.” [POLITICO]
The big Trump story earlier had been about his association with Laura Loomer. Jon Passantino reported that "right-wing media outlets are ignoring” Trump’s embrace of the right-wing extremist and “shielding their audience from the uproar.” [CNN]
Paul Farhi argued that the press does not "sane-wash" Trump: "The news media doesn’t routinely protect his image." [The Atlantic]
Parker Molloy rebutted Farhi: "Far from debunking the concept, The Atlantic’s defense of media coverage inadvertently reinforces the dangers of sanitizing Trump’s rhetoric." [The Present Age]
Our long national nightmare is over! DirecTV and Disney hammered out a deal over the weekend to put an end to the two-week-long blackout. [CNBC]
"The new deal gives DirecTV customers access to Disney's streaming services, such as Disney+, Hulu, ESPN+, as part of select DirecTV packages under a wholesale agreement," Sara Fischer reported, adding that the satellite carrier will also be able to "offer customers multiple genre-specific satellite package options for topics such as sports, entertainment, and kids & family." [Axios]
Its is Emmys Sunday! The annual awards show is about to begin, airing live on ABC at 8pm ET. The show will be hosted by the father-son duo of Eugene Levy and Dan Levy.
As a reminder, FX's "Shōgun" leads the pack, with 25 nominations. FX's other hit, "The Bear," snagged 23 nominations. In total, FX received 93 nominations, behind only Netflix, which earned 107, and ahead of HBO/Max with 91.
Want to see the red carpet looks? Vogue has you covered. [Vogue]
Netflix boss Ted Sarandos spoke to William Turvill for a long-form piece in which he touched on a number of topics, including that the streamer has no plans to move into news. [Times of London]
"German billionaire Mathias Döpfner and KKR are nearing a deal to split up the media giant Axel Springer, in a move that would allow one of the world’s largest private equity firms to bow out of news media after five turbulent years," Laura Pitel, Arash Massoudi, and Ivan Levingston reported. [FT]
"The world’s oldest Jewish newspaper, the Jewish Chronicle, has removed a series of sensational articles relating to the Gaza war after claims that the material was fabricated by a “freelance journalist” who had also misrepresented his résumé," Peter Beaumont reported. [Guardian]
Four journalists resigned from the newspaper in the wake of The Guardian's report, Stephanie Kaloi reported. [The Wrap]
Box Office Report
A scene from “Beetlejuice Beetlejuice.” (Courtesy of WBD)
No surprise here: "Beetlejuice Beetlejuice" maintained its No. 1 spot at the box office, with $51 million+ at the domestic box office. Overseas, it generated nearly $29 million. [The Wrap]
Brooks Barnes wrote about how the Tim Burton sequel has thrown a "lifeline" to Warner Bros. Discovery, which just had its worst summer box office "since analysts started to compile seasonal box office data in 1982." [NYT]
Elsewhere at the box office, the Universal/Blumhouse horror "Speak No More" earned $11.5 million. [Box Office Pro]
Status Check
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